The Canon EF 24-70 mm f/4 l IS USM is built as expected for a Canon L lens. Like a tank. Yet this lens with a weight of 600 grams is clearly lighter than its Canon brand-mates: 10% lighter than the Canon 24-105 mm and up to 30% lighter than the Canon 24-70 mm 2.8 II. That’s very nice. The outside of the Canon 24-70 mm f/4 has a high-quality
I've owned both at the same time previously. Image quality is hard to distinguish unless you pixel peep. The RF 24-105 is significantly better than the EF version, which made choosing the 24-70 easier betweenthe EF versions. But as others have mentioned, which one you choose depends on your needs.
Costing $999, the Tokina 24-70mm f/2.8 isn’t cheap, but if it offers comparable image quality, it could represent great value compared to such own-brand options as the $1749 Canon EF 24-70mm f/2.8L II USM or the $1797 Nikon 24-70mm f/2.8G ED. We ran the Canon EF version of the Tokina 24-70mm f/2.8 though our industry-standard tests to see how
Flare: Canon EF 24-70mm f/2.8L II USM vs. Sigma 24-70mm f/2.8 DG OS HSM Art Flare: Canon EF 24-70mm f/2.8L II USM vs. Tamron 24-70mm f/2.8 Di VC USD G2. Between the Sigma Art and Tamron G2, the pattern of flare artifacts is very similar, although the Sigma may show a little more contrast. Flare: Sigma 24-70mm f/2.8 DG OS HSM Art vs. Tamron 24
This lens has recently been replaced by Canon's new 24-70mm f/2.8 USM 'L' Mark ii - and so now you can find the original for a much more reasonable price. It
Lens hood is reversible. Sony FE 24-70mm F2.8 GM. Tamron 28-75mm f/2.8 Di III RXD. The lens hood can screw onto the lens in reverse so that you can keep it on your camera at all times, ready to use. filter size. 82mm. 67mm. This measurement is important to take into account when buying filters.
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By the way, this remains true at open aperture - the EF 24-70 f/2.8L II is superbly sharp at f/2.8 and still slightly better than the RF 24-105 f/4L IS at f/4: Center of image 400%, focus is on the back of the chair, f/4 RF vs f/2.8 EF
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canon ef 24 70 f2 8 vs f4
